一个小男孩被一个神秘的陌生人从他的寄宿学校带走，这个陌生人只被称为“队长”。

Australian stuntman Grant Page goes to Los Angeles to work on a television series. He uses his spare time to lend his expertise to rock band Sorcery. Page helps the band develop pyrotechnic magic tricks for their shows, and also recounts to his own exploits as a stuntman and daredevil as well as various stunts by other greats.

Ismail (Aytac Arman) is the educated Turk who travels to Asia from Istanbul to escape crushing unemployment in this somber social drama. With an ailing mother-in-law, a bitter wife, and a pretty young daughter to support, he takes a job as a dog killer. Ismail is saddened to see young women his daughter's age forced into prostitution. When he returns home to ask his father and brother for an advance on his inheritance, his wife leaves him. The enemy in question refers to unemployment.

1984年，当马克西莫·戈亚多在阿卡普尔科最热门的度假酒店拉斯科林纳斯找到了一份梦寐以求的工作时，他觉得自己的梦想成真了。不过很快他就意识到在那里工作远比他想象中要复杂得多。

Prominent politician Louis Durieux is accused of having murdered his wife, found dead in their hotel room. The case blows up into an intense media storm. Is he guilty or innocent? Nobody knows. Perhaps not even him...

Tension runs high for writer/director Matthew Steele as he awakens in shock to find himself surrounded by six dead women with a 9mm in-hand. In a desperate search for answers, he is confronted by a mysterious caller who taunts him unrelentingly and strives to push him to the brink of insanity. As this spiraling mind-twist of mystery and suspense unfolds, Matthew also finds himself caught between a perpetuating nightmare that seemingly will not end and a suicidal reality that oddly mirrors his dark, demented screenplay called, "The Enemy". —Alexander Kane

A hungover plane captain wakes up to discover he's done a very bad thing.

Fergus, a retired sea captain, is placed under house arrest after robbing his local newsagent on a mobility scooter. While confined to his home, he strikes up an unlikely friendship with his Greek caregiver.

Revenge is a recurrent theme in thrillers, usually dispensed by action heroes with a well-stocked arsenal. But in Yorgos Tsemberopoulos’s nuanced moral maze the protagonist is the bookish Kostas (Manolis Mavromatakis), a suburban florist well versed in social and political theory, which he discusses at length with a local publican. But when his home is invaded by masked hoodlums, who bind his family and rape his teenage daughter, our everyman hero finds his intellectual stance untenable. Encouraged by his paranoid, militarist neighbour, Kostas decides to take the law into his own hands, and in doing so begins to understand – for the first time – the world he has been living in. The vigilante movie is a well-explored genre too, but Tsemberopoulos gives it a whole new urgency, subverting the cliched right-wing fantasy structure and seeing it through the eyes of a man who comes to find his real self while trying to live up to the (imagined) expectations of others. (Source: LFF programme)

A well-known sextet has been invited to a society gathering, and when one of them turns up missing, their manager asks Dodo to fill in. At the party, she meets four new men. She's smart enough to steer clear of two of them -- corrupt society leader Albert Sasson and powerful newspaper publisher Harrigan Blood. Instead she becomes passionately involved with Judge Massingale. The man who really steals her heart, however, is Garry Lindaberry, who seems to be a hopeless drunk.